What I look for in a script is something that challenges me, something that breaks new ground, something that allows me to flex my director muscle. You have got to think fast in this business, youve got to keep reinventing yourself to stay on top.

I love doing big movies. It's awesome! You have all these toys. The thing I like about this movie is, like they always say, directors have the biggest train sets! Don't tell anyone, but I'd do this for free.

I was talking to one of the writers about our target audience, and he was insulted that I used that term. But if you're given $60 million to make a film, you'd better know who your target audience is. That's who's going to pay back the bills you run up.

It's great that I get accused of not being politically correct. People need to take themselves less seriously. This world is so screwed up as it is, we've all got to relax a bit more.

I like to have an active set and a fun set. I keep my days to a decent hour; I don't go overtime. Do I beat people up? I beat people up in that they know I like to shoot fast. And they know I like to be efficient. And that I like to leapfrog.

I filmed my first little Super 8 movie by stealing my mum's Super 8 camera where I set some fires to some of the models, which actually caught the drapes of my bedroom on fire! The fire department came. I was grounded for three weeks and it was my very first movie.

I don't change my style for anybody. Pussies do that.