On social media and [in person] I hear stories of how a song like "Home" helps. Whether it's a guy overseas coping with missing his family or something deeper and terribly dramatic. Somebody once told me that ["Home"] is the song they listen to when they go to the cemetery to visit their child that passed away. It gives them hope. At the end of the day, that's all what I want to offer people.

Jazz is like a great blues band that fell down the stairs

I was reading a Time magazine interview with an author named Brené Brown. She said, "People that fail seem to ultimately do the same thing they think works over and over again." I had an epiphany and called my manager and started a creed with my producers. I promised we'd do whatever was best for the song and the album - no ego would get in the way.

I love that I'm able to take people away just for a little while. Even if they come to my show and it's an escape from taxes or heartbreak or a shitty workplace experience - all those human beings I get to sing for laugh and emote with give me more happiness than I could ever give them.

I am a candid interview and I have a dark and dry sense of humor - a very Canadian sense of humor and I am only learning now stupidly that you can't read tongue. When I say something funny in a newspaper and I meant it to be funny, it doesn't read that way.

I think I was annoyed going through the '90s just as a guy who loves music. There wasn't a lot of music for me. Everything was groove driven. We lost the plot with the melody. There's no more melody.

I get to study and I got to mimic and what I basically did was I stole from every person that I could steal from. I was an imitator. That's what I was. It was years before I could take all of these things that I loved about all of these different artists and put them together and find my voice.