I'm not talking about just Donald Trump's politics - it's what he's brought up. It's a real conversation. We're just people trying to fall in love as nations and human beings. We need therapy, man. The world does.

I get to study and I got to mimic and what I basically did was I stole from every person that I could steal from. I was an imitator. That's what I was. It was years before I could take all of these things that I loved about all of these different artists and put them together and find my voice.

The fact that there's a more open discussion about everything from feminism to racism ... I look at my two boys ... this is their future I'm talking about. When I'll be long gone, it'll be them and their kids. I know that sometimes the darkest times are followed by the lightest. Sometimes bad things have to happen for good things to happen. At the very worst, we're having very open discussions, discussions about things we didn't even know f-king existed. I talk to my friends about it and they are absolutely shocked. They didn't even know.

It's all about love. We're either in love, dreaming about love, recovering from it, wishing for it or reflecting on it. That's what this record [Call Me Irresponsible] is about.

I believe [Dean Martin] is underestimated as a vocalist only because it seemed like what he was doing looked easy - but it isn't and it stands the test of time.

I brought in producer Johan Carlsson [Ariana Grande, One Direction, Flo Rida] and asked, "Can you make this better?" And he did.

I honestly think that it was when the actual voices started to stand up for me. It was the iconic artists like Tony Bennett or Barbara Streisand or Liza Minnelli. When people like that take you under their wing and say in quotations, "He's the next one. He's got my stamp of approval," people trust them.