I think I had a shyness about me, I think I discovered acting as a way to break out of that and as a way of belonging, a sense of being special.

I think Dexter is a man who ... a part of himself is very much frozen, or arrested in a place that is pre-memory, pre-conscious, pre-verbal. Something very traumatic happened to him, he doesn't know what that is. And I think on some level he wants to know. He denies his humanity, he describes himself as someone who is without feeling, and yet I think that he maybe suspects - in a way that maybe isn't even conscious yet when we first meet him - that he is in fact a human being.

I have this dream where Little Chino keeps showing up at my door. I would have to kill him even though I was at home trying to have a nice meal with my family. Every time he (Chino) would come to the door, I'm like, 'you again!' But I was myself (not Dexter) in the dream. I'm rolling my eyes in the dream because it is so absurd. It was like, this is ridiculous because you (Chino) are not even real!

I don't think closeted homosexual morticians have the market cornered on self-loathing or sense of shame.

Dexter's a unique killer in that his father saw his dark impulses, shined a light on them, and told Dexter that he saw them, he accepted them, that Dexter is good and that he is worthy of love. And I think that's what enables him to focus his energies in this unique way.

My mother is a survivor who's had a lot of things happen in her life that have been very trying.

I never really considered acting as a career until I moved to New York.