Sometimes men present a swagger that suggests a prowess, whether it's sexual or financial. L.A. seems to be a place where trying too hard is almost a given. Some people are unapologetic about how blatantly they represent who they are through what they wear or drive. Subtlety is in short supply.

I certainly know there are people in positions of power in the business who lack imagination and, perhaps as a result of that, think of me as 'David'. But I wouldn't really want to work with those people, you know?

I don't think closeted homosexual morticians have the market cornered on self-loathing or sense of shame.

My mother is a survivor who's had a lot of things happen in her life that have been very trying.

I think Dexter is a man who ... a part of himself is very much frozen, or arrested in a place that is pre-memory, pre-conscious, pre-verbal. Something very traumatic happened to him, he doesn't know what that is. And I think on some level he wants to know. He denies his humanity, he describes himself as someone who is without feeling, and yet I think that he maybe suspects - in a way that maybe isn't even conscious yet when we first meet him - that he is in fact a human being.

For me, it was more a dramatic shift to go from the stage to the screen.

As time passes, I feel more and more a sense of acting being a fundamental part of who I am.