I’d spent my whole life waiting to awake on an ordinary morning in the town that was destined to be my home, in the arms of the woman I was destined to love, knowing the people and doing the work that would make up the changing but essentially invariable landscape of my particular destiny.

Every day is like a kid's drawing, offered to you with a strange mix of ceremoniousness and offhand disregard, yours for the keeping. Some of the days are rich and complicated, others inscrutable, others little more than a stray gray mark on a ragged page. Some you manage to hang on to, though your reasons for doing so are often hard to fathom. But most of them you just ball up and throw away.

When some drunken fool asked if she was a lesbian, she would say, 'In everything but sexual preference.

It struck me that the chief obstacle to marital contentment was this perpetual gulf between the well-founded, commendable pessimism of women and the sheer dumb animal optimism of men, the latter a force more than any other responsible for the lamentable state of the world.

Love is like falconry," he said. "Don't you think that's true, Cleveland?" "Never say love is like anything." said Cleveland. "It isn't.

I don't care what is written," Meyer Landsman says. "I don't care what supposedly got promised to some sandal-wearing idiot whose claim to fame is that he was ready to cut his own son's throat for the sake of a hare-brained idea. I don't care about red heifers and patriarchs and locusts. A bunch of old bones in the sand. My homeland is in my hat. It's in my ex-wife's tote bag.

In later years, holding forth to an interviewer or to an audience of aging fans at a comic book convention, Sam Clay liked to declare, apropos of his and Joe Kavalier's greatest creation, that back when he was a boy, sealed and hog-tied inside the airtight vessel known as Brooklyn, New York, he had been haunted by dreams of Harry Houdini.