But the first lie in the series is the one you make with the greatest trepidation and the heaviest heart.

I’m a man who falls in love so easily, and with such reckless lack of consideration for the consequences of my actions, that from the very first instant of entering into a marriage I become, almost by definition, an adulterer.

We are accustomed to repeating the cliché, and to believing, that 'our most precious resource is our children.' But we have plenty of children to go around, God knows, and as with Doritos, we can always make more. The true scarcity we face is practicing adults, of people who know how marginal, how fragile, how finite their lives and their stories and their ambitions really are but who find value in this knowledge, even a sense of strange comfort, because they know their condition is universal, is shared.

I wanted to give readers the feeling of knowing the characters, a mental image.

You need three things to become a successful novelist: talent, luck and discipline. Discipline is the one element of those three things that you can control, and so that is the one that you have to focus on controlling, and you just have to hope and trust in the other two.

Every day is like a kid's drawing, offered to you with a strange mix of ceremoniousness and offhand disregard, yours for the keeping. Some of the days are rich and complicated, others inscrutable, others little more than a stray gray mark on a ragged page. Some you manage to hang on to, though your reasons for doing so are often hard to fathom. But most of them you just ball up and throw away.

The problems you have as a novelist tend to have to do with making a living and trying to find ways to supplement the income you get from writing novels. For a lot of writers, that involves teaching. In my case, so far, I've been able to get by working in Hollywood with this TV stuff I've been doing. And it's very important, because my wife is a writer, too, and we don't have health insurance through any employer.