The thing that strikes me now when I think about the Wilderness of Childhood is the incredible degree of freedom my parents gave me to adventure there. A very grave, very significant shift in our idea of childhood has occurred since then. The Wilderness of Childhood is gone; the days of adventure are past. The land ruled by children, to which a kid might exile himself for at least some portion of every day from the neighboring kingdom of adulthood, has in large part been taken over, co-opted, colonized, and finally absorbed by the neighbors.

It was nice standing out in the darkness, in the damp grass, with spring coming on and a feeling in my heart of imminent disaster.

I feel that in the past, my style has shown itself to be capable of handling dark and light in the same paragraph, or even in the same sentence. That's something I almost take for granted. I think it was more a concern to get the details right and persuasively recreate the world I was trying to write about.

All novels are sequels; influence is bliss.

Procrastination is something you do yourself. You know: "I gotta sharpen these pencils before I start. I got 20 pencils, they're looking kinda dull." Well, the pencils aren't calling you and alluring you and inviting you and offering you anything. They're just sitting there. You're the one who's procrastinating.

He is by nature a vegetarian but would never consider giving up meat.

I might spend 100 pages trying to get to know the world I'm writing about: its contours, who are my main characters, what are their relationships to each other, and just trying to get a sense of what and who this book is about. Usually around that point of 100 pages, I start to feel like I'm lost, I have too much material, it's time to start making some choices. It's typically at that point that I sit down and try to make a formal outline and winnow out what's not working and what I'm most interested in, where the story seems to be going.