I feel that in the past, my style has shown itself to be capable of handling dark and light in the same paragraph, or even in the same sentence. That's something I almost take for granted. I think it was more a concern to get the details right and persuasively recreate the world I was trying to write about.

A father is a man who fails every day.

I’d spent my whole life waiting to awake on an ordinary morning in the town that was destined to be my home, in the arms of the woman I was destined to love, knowing the people and doing the work that would make up the changing but essentially invariable landscape of my particular destiny.

What's going to be hard for me is to try to divorce myself as much as possible from what I wrote. I'll have to approach it simply as raw material and try to craft a film script out of it.

A delicate, inexorable lattice of inferences began to assemble themselves, like a crystal, in the old man's mind, shivering, catching the light in glints and surmises.

I'm never going to be a Tom Clancy. And I wouldn't really want to be - not that I have anything against him, and I wish him continued success - because that's not why I'm writing novels. I'm doing it because I have to. I feel like I have to, anyway.

The problems you have as a novelist tend to have to do with making a living and trying to find ways to supplement the income you get from writing novels. For a lot of writers, that involves teaching. In my case, so far, I've been able to get by working in Hollywood with this TV stuff I've been doing. And it's very important, because my wife is a writer, too, and we don't have health insurance through any employer.