This longing for knowledge makes the real artist brave. He never adheres to the first image that appears to him, because he knows that this is not necessarily the richest and more correct. He sacrifices one images for another more intense and expressive, and he does this repeatedly until new and unknown visions strike him with their revealing spell.

All true artists, bear within themselves a deeply rooted and often unconscious desire for transformation.

Why be narrow-minded, why cut ourselves off from any of these rich heritages when… we have the freedom to make the most of the best in all techniques? There are no prohibitions against it. All it takes is a little wisdom, imagination and courageous experimentation.

In every well-written play the battle rages between the primary powers of Good and Evil, and it is this battle which constitutes the life impulse of the play, its driving force, and is basic to all plot structures...In any true piece of art...the beginning and the end are, or should be, polar in principle. All the main qualities of the first section should transform themselves into their opposites in the last section.

I am a creative artist. I have the ability to radiate. Lifting my arms above me, I soar above the earth. Lowering my arms, I continue to soar. In the air moving around my head and shoulders, I experience the power of thoughts. In the air moving around my chest, I experience the power of feelings. In the air moving around my legs and feet, I experience the power of will. I am that

The inner life of the [imagination], and not the personal and tiny experiential resources of the actor, should be elaborated on the stage and shown to the audience. This life is rich and revealing for the audience as well as for the actor himself.

Real inspired acting is never DOING, it is always HAPPENING