I think there's a general misconception that anything written quickly lacks quality, and I don't believe that.

I don't think anyone will believe me, but I've never been pressured by a publisher to churn out a book.

Los Angeles was the kind of place where everybody was from somewhere else and nobody really droppped anchor. It was a transient place. People drawn by the dream, people running from the nightmare. Twelve million people and all of them ready to make a break for it if necessary. Figuratively, literally, metaphorically -- any way you want to look at it -- everbody in L.A. keeps a bag packed. Just in case.

I'm not 'Mr. No-By-The-Book.' I just want to make sure the character is by the book.

Well, did he do it?" She always asked the irrelevant question. It didn't matter in terms of the strategy of the case whether the defendant "did it" or not. What mattered was the evidence against him -- the proof -- and if and how it could be neutralized. My job was to bury the proof, to color the proof a shade of gray. Gray was the color of reasonable doubt.

To write more from memory and to be more creative - I think - because I am still writing about Los Angeles but I can't walk out my door and immediately drive to places I am writing about. So I think it has been a very good change for me after 11 books to start writing this way.

There is nothing like the start of a season, before all the one-run losses, pitching breakdowns and missed opportunities. Before reality sets in.