I don't like the idea of nationalism, but on the other hand, I do see that there is a difference between British art, German art and Chinese art. This is because of the history, because each country has different history and each country reads and teaches that history differently.
Michael Craig-MartinWhen I was in Wuhan, I went to the art school, which was one of the most important art schools in China, an enormous art school. One of the things that I saw is that the schools are very big and there are so many students. It is very difficult to me to teach creative activity to great numbers of people, because I think you need personal contact with students, you need to speak individually, you need individual contact between teachers and students, you need continuity. To me this is a problem in mass education in every society now.
Michael Craig-MartinI am trying to present objects in the simplest way possible, and I don't want to supply too much context.
Michael Craig-MartinI think the best approach is not to be too much like the thing that they are referring to, see it as a guide.
Michael Craig-MartinI think that cultural influence is very deep, it is not on the surface and this is true in every culture.
Michael Craig-MartinWhen I was a very young student I loved and admired the work of Sam Beckett, who is famously pessimistic, and whose writing is an extraordinary examination of emptiness. I wanted to be like Beckett. I don't have the same attitude toward the world, I'm naturally optimistic, and so of course I could never be like Beckett. You can't force yourself to become like someone you admire.
Michael Craig-Martin