The first exhibition that I used bright colours in painting the room was at a gallery in Paris, and there were seven rooms in the gallery. It was very nice gallery, not very big rooms, around the courtyard, it was a very French space. So I painted each room in different colour. When people came to the exhibition, I saw they came with a smile. Everybody smiles - this is something I never saw in my work before.
Michael Craig-MartinThe person you admire was true to himself. You can only truly honour him by being true to yourself.
Michael Craig-MartinIn the period of '60s to the '90s, British art schools were small, and the number of student was small. The personal contact was great.
Michael Craig-MartinIt's important for me to give each thing the possibility to speak and also to allow artworks speak to each other.
Michael Craig-MartinI greatly admired him as a teacher I didn't teach the same way as Josef Albers at all.
Michael Craig-Martin