It is very important to develop the thing that you are naturally good at, that you are truly interested in.

I try to make images that have the immediate presence we take for granted in objects - a chair, a shoe, a book, a Judd - and compose them like sentences.

Usually people start with painting and then go on to make installations; my painting came from installation.

If you close the door to the things you feel comfortable with, you will never discover the truth about yourself.

I would never put a sculpture in front of a painting, so that it is difficult to see the painting. I always place each thing so you can see it isolated. You can focus on every individual work.

All the basic information should be in the object itself.

If you were really interested in being creative in teaching, it was possible to try new methods and that was really what we did in Goldsmiths - we used the freedom of the time.