With the type of actor I am, which includes really diving into a role and making it as real as possible, there's nothing better than working in a real environment on location. It forces you to feel what the character's feeling, and it allows you to live in the space of the character.

If I have to wear a hat as a producer to do that, then I'm willing to do that. An actor's, producer's and director's point-of-view is all the same to me, as long as the story's being told.

I've played characters who are dark and have done things I never have experienced, which is why I try to find the reasons why they do what they do. We're all people, and go through similar emotions.

With a film, you know the beginning, middle and end of your character's arc. But on a TV show, you have no idea where they're going to end up.

Whether it's a lower or higher budget project, a TV show or a film, the words on the page are the same to me and I approach the work in the same way. My job is to lift the character from the page, whether it's a TV or film script.

With the type of actor I am, which includes really diving into a role and making it as real as possible, there's nothing better than working in a real environment on location. It forces you to feel what the character's feeling, and it allows you to live in the space of the character.

With the way I like to work, I always have to draw [inspiration] from somewhere, and the best place to take from is your own life.