It's not enough to be against something.

Comedy is to force us to observe ourselves in ways that are humorous and yet, at the end of the day, that cause us enough discomfort with the status quo to make a change.

America certainly has made extraordinary progress. The collective unconscious of the nation has certainly shifted as a result of the civil rights movement and the developments in the '70s and '80s. We have witnessed a great expansion of the black middle class.

Blackness also has positive dimensions, those that bear the political meanings of African American people, among other blacks, who have struggled for self-determination and freedom for centuries. The absence of such an identity doesn't automatically guarantee that we will be free of the images and ideals that fuel stereotypes about black identity. Changing the name will not alter the reality.

We can't exempt ourselves from the same moral calculus that we are willing to apply to others.

I think that Michael Jackson, just as an entertainer, as a figure who embodies the contradictions of Black identity, and the possibilities of R&B music in the '70s and '80s will continue to be one of the most recognized and formidable human beings that we've ever produced in our tradition.

[ Mrs. James, my fifth-grade teacher] introduced us to these authors early on and taught us that their literature is important. Langston Hughes - we read his poetry. We studied who W.E.B DuBois was. And so she whetted our appetites.