The consequences of whiteness are particularly lethal right now. And the ignorance about it, especially on the part of white people themselves, makes them unavoidably complicit in a system that has to be unmasked, unveiled, undressed in order to be reformed or destroyed.

Hip hop scholarship must strive to reflect the form it interrogates, offering the same features as the best hip hop: seductive rhythms, throbbing beats, intelligent lyrics, soulful samples, and a sense of joy that is never exhausted in one sitting.

I hope [white brothers and sisters] read this book [Tears we cannot stop] and engage with it, but other white people have a better chance of speaking more directly to the white folk they know, because they're less likely to be subject to ridicule. They're insiders, so to speak.

It is true that race is a social fiction, a myth perpetuated by a variety of peoples throughout the modern period, especially, to further their own gains at the expense of others.

I have written 13 books, full of my ideas about a variety of issues - from black women, to hip-hop culture, to the civil rights struggle. Even when I address such figures as Tupac Shakur and Bill Cosby, my ideas are quite evident.

If your experiences suggest to you that poor black folk are lazy, then you must be true to those experiences - except, however, as your experiences are pressured by empirical investigation of complex phenomena. I suspect that even when you control for variables of individual laziness, you'll see that what you see before you masses of black poor people unwilling to work hard to get better will not be as simply concluded as you might at first believe. Continue your good work.

We need all the newfangled web-based Internet spread, you know, social media that can catalyze, you know, some serious consciousness about what's going on. But we also need people on the streets pounding the pavement to make a significant and dramatic appearance to suggest that what's going on here is unacceptable.