I didn't get to college until my 20s, because I was a young father on welfare and had to take all kind of jobs to support my young son. There's what frames my view on the topics I discuss on my shows, and the average person relates to that. No matter how many degrees I have now, I lived that life, and that comes through to the people watching.

My ambition didn't grow out of nowhere. It was planted in me by a community that nurtured me.

When people are not sure about their future, when their economies are suffering, when their personal fortunes are flagging, we have often in this country turned to nativism and xenophobia and racism and anti-immigrant sensibilities and passions to express our sense of outrage at what we can't control - and to forge a kind of fitful solidarity that turns out to be rather insular - we look inward and not outward.

A lot of the commercial expression of hip-hop leaves a lot to be desired - but then, there's a lot of whack gospel music, but I'm not leading a crusade against it. Of course, the vices of hip-hop are far more influential, I understand. But the good that hip-hop transmits, the power of the culture to rally the best of our protest, and uplift, and resistance, traditions, is often unfairly overlooked.

My empathy for poor people comes from having been one of them for so long, from knowing that their humanity is more complex and that the truths of their suffering have to be told honestly.

The consequences of whiteness are particularly lethal right now. And the ignorance about it, especially on the part of white people themselves, makes them unavoidably complicit in a system that has to be unmasked, unveiled, undressed in order to be reformed or destroyed.

I grew up in Detroit. I was a teen father. I lived on welfare for three years. I have a brother serving life in prison, though I believe he's innocent.