Obviously, Jay-Z is one of the greatest entertainers of the world today. Not only is he a remarkable rhetorical genius, he's also a man of deep sympathy and empathy for those who are lost and vulnerable, but especially under-educated youth of all cultures and stripes.

Blackness is an ocean, a universe, a possibility that can never be exhausted. And so we have to constantly reaffirm the necessity of excavation, of archiving and curating, but also exploring, and understanding afresh and learning for the first time what it is that we need to know, and what the limits and boundaries are, and what the themes and preoccupations should be, and what the redemptive character of that erudition is. I find myself in the exciting position of doing all that, and at the same time having the obligation to explain to white people what the deal is.

I knew Snoop Dog didn't start misogyny. I knew that Tupac Shakur didn't start sexism, and God knows that Dr. Dre didn't start patriarchy. Yet they extended it in vicious form within their own communities. They made vulnerable people more vulnerable.

Comedy is to force us to observe ourselves in ways that are humorous and yet, at the end of the day, that cause us enough discomfort with the status quo to make a change.

I grew up in Detroit. I was a teen father. I lived on welfare for three years. I have a brother serving life in prison, though I believe he's innocent.

I went to see Chris Rock on Saturday night here in Atlanta, and he made a statement in his comedy. He said, look, when you're the big person, when you're the rich person, poor people can say stuff about you, but it's downright wrong and brutal for rich people to beat up on poor people. He said people who are larger can lampoon people who are skinnier, but not the opposite.

Donald Trump amplifies the worst instincts. And his nationalism is really a white racist supremacist nationalism.