I went to a segregated school; I was born a Negro, not a black man.

Blackness is not simply a reactionary title or identity; that is indeed the "negative" way of characterizing African American identity.

I've been a social gospel-er and a person who sees politics as a central dynamic to the encoding of religious rhetoric.

Ralph Ellison is a classic work of erudition, grace, and elegance. Rampersad offers us an Ellison whose gifts and warts orbit the same universe of creative genius. Like Ellison's work, Rampersad's text wrestles eloquently with difficult truths about race, politics, and American life.

Hip-hop has globalized a conception of blackness that has had a political impact, whether or not it had a political intent.

A lot of the commercial expression of hip-hop leaves a lot to be desired - but then, there's a lot of whack gospel music, but I'm not leading a crusade against it. Of course, the vices of hip-hop are far more influential, I understand. But the good that hip-hop transmits, the power of the culture to rally the best of our protest, and uplift, and resistance, traditions, is often unfairly overlooked.

White supremacy is the conscious or unconscious belief or the investment in the inherent superiority of some, while others are believed to be innately inferior. And it doesn't demand the individual participation of the singular bigot. It is a machine operating in perpetuity, because it doesn't demand that somebody be in place driving.