I've written a lot of other books and this book [Tears we cannot stop] was different. I couldn't just say what I wanted to say in the same style that I said it in those other books. I felt compelled to preach.

Perception, after all, is not simply a matter of what you believe about yourself, it all encompasses what others think about you, and what has been thought of you historically. I say we can pay attention to those other dimensions of our identity - class, gender, sexual orientation, geographical region - while at the same time understanding how our historically produced racial identity continues to serve, or undercut us.

When I was 12 years old, my pastor came to the church: Dr. Fredrick Samson. And that was revolutionary because he mentored me and I got a chance to see up close the impact of a rhetorical genius.

New Orleans invented the brown paper bag party - usually at a gathering in a home - where anyone darker than the bag attached to the door was denied entrance. The brown bag criterion survives as a metaphor for how the black cultural elite quite literally establishes caste along color lines within black life.

I do believe that it is quite necessary for us as a people to reach back, over and down to help the less fortunate of our number.

All of us should be much more humble and contrite when we point the finger at somebody else, because four more fingers are pointing back at us.

A lot of the commercial expression of hip-hop leaves a lot to be desired - but then, there's a lot of whack gospel music, but I'm not leading a crusade against it. Of course, the vices of hip-hop are far more influential, I understand. But the good that hip-hop transmits, the power of the culture to rally the best of our protest, and uplift, and resistance, traditions, is often unfairly overlooked.