I think that not only do saints make poor role models, they are incapable in one sense of identifying radically with those of us who are mere mortals. Martin Luther King, Jr.'s mortality says to us that here's a figure who got up every day of his life facing tremendous odds and yet overcame them.

Even when you don't know, you're supposed to know.

Hip hop scholarship must strive to reflect the form it interrogates, offering the same features as the best hip hop: seductive rhythms, throbbing beats, intelligent lyrics, soulful samples, and a sense of joy that is never exhausted in one sitting.

Perception, after all, is not simply a matter of what you believe about yourself, it all encompasses what others think about you, and what has been thought of you historically. I say we can pay attention to those other dimensions of our identity - class, gender, sexual orientation, geographical region - while at the same time understanding how our historically produced racial identity continues to serve, or undercut us.

I think there's no question that Michael Jackson was the foremost entertainer of his generation; perhaps of all time, arguably, taking the skills of a Sammy Davis, Jr., bringing together the street dance of African American urban culture, joining them to the politics of dance, of Fred Astaire and Gene Kelly on that sphere alone.

I have written 13 books, full of my ideas about a variety of issues - from black women, to hip-hop culture, to the civil rights struggle. Even when I address such figures as Tupac Shakur and Bill Cosby, my ideas are quite evident.

The language of faith is crucial because it affords human beings the privilege of intimacy with the ultimate.