Some actors might just do one thing, and another actor does another thing. I do an awful lot of preparation with the script, really. What I do is repeat the script, over and over and over again. Through that, it's almost like it seeps into my enamel. I'm reading all the characters, as well as my own. That is where the bulk of my preparation goes into.

People are complicated. Our behavior towards one another is strange. So I like opportunities to investigate that.

"X-Men" is not really about mutants; it's about humanity. I think it's about the human race. We're an absolutely destructive race. It seems that we can't seem to get beyond this level of tribalism that has been around for thousands of years. Anything we fear we tend to destroy.

As an actor, it's always been good to be working at all.

Nowadays, especially in big commercial films it's much easier for the audience, and they tend to get spoonfed. It's much more interesting to me, people leave the theater and they start asking themselves questions and find their own moral compass about what these characters have been doing.

Why does a three-year-old, and it's usually boys, want to drive the tractor or have machinery and be in control of it? I don't know. Why wouldn't you ask to boil a kettle or something? Maybe you would, I dunno.

At one point you think, well, it's funny, I could just be a starving actor... So if somebody were to pull the plug right now, there'd be no room for complaint.