We did a lot of that in drama school: intellectualising and maybe justifying your position. 'I am a thinking actor and I have thought this through' - well, just do it. I much prefer the doing aspect.

Any good kitchen should be stocked up in oysters, shouldn't they?

It's the worst thing if you're sitting there in the theater, going, "Oh, that's the guy who dates this person and likes to do this in the morning and that in the afternoon." Then you're just watching a brand, as opposed to an actor.

As an audience member and as an actor I much prefer to find ambiguity.

There's so much going on in the world. There's so much information being thrown at us - so many things are being sold to us, and we're being told how we should appear and how to be more successful, blah, blah, blah. How does that manifest itself? In the pressures, the stress, this need to escape.

I believe that if you go and see a film you should have to sort of invest something yourself and you have to do a little bit of the work as an audience member, so when you leave the cinema you should be having those conversations either with yourself - if you're crazy like me- or with friends afterwards.

If you're dealing with heavy topic matter, sometimes it's good to have a lightness going into it because it allows you to be open to possibilities, rather than getting rigidly stuck into a certain mind-set. People are strange. When you break up, sometimes you end up laughing with one another, as opposed to crying. Things in life are unusual, and to find those things, it's best to be relaxed.