I feel like I have a group of friends, guys could be interchanged with my neighbors from back home. These guys are really close and really tight, and it all stems from 'Wouldn't it be cool if this happened.'

Brad Bird is fond of saying that music is the easiest thing that can derail a film because if it slightly goes a degree off track it will take the viewer in the wrong emotional direction. To work with people who actually care about that is a good thing.

The core of the film is usually something very emotional and something that feels really real that you can relate to, it's not like done in a false way. You know a lot of films will treat emotion falsely and you can sense that very quickly.

I think great filmmakers will always talk in terms of storytelling. These guys were always about the story. That is how I love to talk about a film.

I feel like I have a group of friends, guys could be interchanged with my neighbors from back home. These guys are really close and really tight, and it all stems from 'Wouldn't it be cool if this happened.'

My writing is consistently influenced by everything I watched and listened to growing up, so it's just this crazy collage of everything.

When I was nine, I asked my Dad, ‘Can I have your movie camera? That old, wind-up 8-millimeter movie camera that’s in your drawer?’ And he goes, ‘Sure, take it.’ And I took it, and I started making movies with it, and I started being as creative as I could, and never once in my life did my parents ever say, ’ What you’re doing is a waste of time.’ Never….. I know there are kids out there that don’t have that support system. So, if you’re out there and you’re listening, listen to me: If you wanna be creative, get out there and do it. It’s not a waste of time.