If people want insights, if they want to swim in the currents of their own time and share the experiences of their time, then it makes sense to engage with the artists of one's own time.

I don't think performance out of duty yields very much. Coercion is never the way to go.

The American new music scene is remarkably vibrant.

The best critics leave the reader curious to pursue something further, but still to let the reader have his or her own honest, unique opinion.

Mazur was a remarkable artist. During our time in Rome we became friends. I would often perform my works for him at the piano.

Just as all pop music is not simplistic, not all contemporary concert music is complex. Often what a person connects with goes much deeper than generalized issues of simplicity and complexity.

My interactions with musicians have been simply that: interactions with musicians. Issues of gender, or anything else beyond the music-making, have in my experience played no role in whether or not a musician has been able to articulate my intentions as a composer.