I was fortunate to work with Corigliano for a few years in the mid nineties. Meeting and working with him during those formative years was an important experience.

The best critics leave the reader curious to pursue something further, but still to let the reader have his or her own honest, unique opinion.

The musical culture in the United States has no doubt suffered severe setbacks, especially in funding, since the early 2000's. However, I've been amazed at the resiliency of those involved with contemporary music in this country. I think composers and those dedicated to contemporary music have reacted with tremendous creativity and resourcefulness.

I wrote much more quickly when I was younger. Over the years I've required more time in order for the pieces to arrive in a place I am happy with. The process cannot be rushed. I have to live with a piece for quite a while to feel it ultimately is where it needs to be - though anything resembling complete satisfaction remains elusive.

Many critics have become de facto teachers. That is a lot of responsibility, and I think it should be wielded with care. Most people appreciate sincere guidance.

Part of what makes music so interesting is the lack of consensus on just about any given topic.

My own goals center around writing the best music that I can, and only I can determine whether or not I've succeeded in accomplishing that.