I have now is whenever my kids say, "Can you look at this?" or "Can I ask you something?" or "Can you come here for a minute?" no matter what I am doing, I say yes instead of saying, "Just a sec." They never abuse the privilege, and I never once regretted it. What they took me away to do was never less important than what I was doing already.

As a kid, I was into music, played guitar in a band. Then I started acting in plays in junior high school and just got lost in the puzzle of acting, the magic of it. I think it was an escape for me.

Our challenges don’t define us, our actions do.

To be associated with a film that just flat-out makes people happy is such a blessing and a tremendous privilege, and I'll always be grateful for it. People's eyes light up when they talk about it. I've been in Asia, Africa, Europe and even Bhutan; people know the movie there. It's just an amazing thing.

The way I look at life, and the way I look at the reality of Parkinson's, is that sometimes it's frustrating and sometimes it's funny. I need to look at it that way, and I think other people will look at it that way.

As much as Parkinson's is about movement, the end stage is being frozen. So the more I let that happen, the more I'm gonna be stuck within that and unable to reverse it.

There's a rule in acting called, 'Don't play the result.' If you have a character who's going to end up in a certain place, don't play that until you get there. Play each scene and each beat as it comes. And that's what you do in life: You don't play the result.