I enjoy places that have mystery and atmosphere, perhaps a patina of age, a suggestion rather than a description, a question or two. I look for memories, traces, evidence of the human interaction with the landscape. Sometimes I photograph pure nature, sometimes urban structures.

I do have strong convictions and political opinions, but I don't think it's necessary to imbue my photographic work with them. I use photography as a vessel for visual material to flow through, to encourage conversation with the viewer. I try to present a catalyst and invite viewers to tell their own stories.

The first time, I usually skim off the outer layer and end up with photographs that are fairly obvious. The second time, I have to look a little deeper. The images get more interesting. The third time it is even more challenging and on each subsequent occasion, the images should get stronger, but it takes more effort to get them.

Perhaps most intriguing of all is that it is possible to photograph what is impossible for the human eye to see - cumulative time.

If the quality of professional materials continues to erode or even dries up, then many of us silver photographers would have to follow the digital tidal wave. It certainly wouldn't be the end of the world, but in my opinion, having no silver material available would be a huge loss to photography.

Nothing is ever the same twice because everything is always gone forever, and yet each moment has infinite photographic possibilities.

I prefer to think of photography as a never ending journey with infinite possibilities. I love to return to places to re photograph. Nothing is ever the same. The options are endless.