For me, the subtlety of black and white inspires the imagination of the individual viewer to complete the picture in the mind's eye. It doesn't attempt to compete with the outside world. I believe it is calmer and gentler than colour, and persists longer in our visual memory.

For me, this is one of the advantages of not using digital, I never know when I have a good photograph! I practice doubt as a way to push myself into alternative compositions by selective focus, different speeds of exposure, and unusual perspectives.

Instant gratification in photography is not something that I need or desire. I find that the long, slow journey to the final print captivates me far more.

There can be no doubt that probability increases with practice. Fortune favours the brave, fortune favours the prepared mind, and fortune favours those who work the hardest.

Nothing is ever the same twice because everything is always gone forever, and yet each moment has infinite photographic possibilities.

Getting photographs is not the most important thing. For me it's the act of photographing. It's enlightening, therapeutic and satisfying, because the very process forces me to connect with the world. When you make four-hour exposures in the middle of the night, you inevitably slow down and begin to observe and appreciate more what's going on around you. In our fast-paced, modern world, it's a luxury to be able to watch the stars move across the sky.

My advice to any budding artist is never to be satisfied with imitating others. This is but a means to an end. A serious artist will work with intensity to discover themselves, their own personal vision. I believe this is a fundamental aspect of the creative path.