You always have in the back of your mind that would be cool if you get recognized. But you can't concentrate on any of those things. You've got to just keep playing and doing your music and the rest is just a bonus.

Jimi Hendrix came on TV on this documentary and it was this African-American soulful black guy, playing an electric guitar, which I'd just started. And it just blew my head off. I had like an afro at the time, too. It was a bit all over the place. And it wasn't a thing to have an afro. No, that's kind of quite old school. You're supposed to have like a neatly cut shaped up haircut.

With writing music and writing songs and recording music and coming up with stuff, you need to kind of reengage that kind of inner child to come up with interesting perceptions.

It's quite hard not to cringe at your own music; you're always a bit annoyed at some parts of it.

You always have in the back of your mind that would be cool if you get recognized. But you can't concentrate on any of those things. You've got to just keep playing and doing your music and the rest is just a bonus.

I had an opportunity to make an album - that was a dream come true. I had to make sure that I could do it the best way I could, and at least at the end of it be very pleased with it and not regret anything. So that took a lot of concentration. Being isolated really helps with that.

By that point, I was about 12, 13 years old. I was this young black kid into rock music, which was kind of strange. People would always assume I'd be into like more modern R&B, which is a stereotype, but that was kind of what was expected. And I had all these guitar magazines of all these musicians that didn't look like me. So I assumed Jimmi Hendrix was one of those.