I actually started in the opposite place. I come from a technical background - I'm a mathematician and a programmer by trade - and I was one of those people who would watch a show and say, "Oh, that could never happen."

Ultimately people don't watch shows because of how realistic they are. They watch them because of the same dramatic elements that have always made stories interesting. And fundamentally if those elements don't work, no amount of reality is going to be enough to keep people watching a show.

I personally have more faith than the average writer in people's willingness to be complicated, and so I'm thrilled by what's happened. I'm elated at audiences' willingness to handle complexity. In some sense, I feel like my belief in what people are capable of is being validated.

The idea that you could stitch together every detail episode to episode and preserve continuity for the length of a season and tell a story while using no time cuts, no flashbacks, nothing but pure real time just seemed too difficult.

I actually started in the opposite place. I come from a technical background - I'm a mathematician and a programmer by trade - and I was one of those people who would watch a show and say, "Oh, that could never happen."

To create a situation where each new episode has to start in the exact same place as the previous one, with the actors' hair in the exact same place, seemed crazy.

To be fair to ourselves, in almost every original script, the timing is actually worked out down to the minute.