The gap between verse and poetry is enormous. Between good poetry and good prose the gap is much narrower

I do feel that a poem needs not just space, but, ideally, space around that space - space for meditation, reverie, subliminal link-ups. I sense that poetry happens at a level above or below intelligence. It doesn't come into being at a purely rational level.

For me the form, the stanzaic shape, is an endorsement, proof that I'm engaged with the Latin or Greek at an original level, that my versions are explorations.

In America, where you'd have thought the country's so huge it couldn't happen quite so cosily, everyone's giving his imprimatur to everyone else. You line up three or four well-known poets and a couple of eminent academics on the dustjacket, and the rest of academe follow like sheep. That's death really, if you take pleasure in it. Mind you, the occasional puff's hard to resist, but you shouldn't inhale.

I work hard to make the poems as good as they can be, and if they're not good enough I scrap them. I find it difficult after a gap of a few years to tinker - I'm more likely to destroy.

The job has left me with a healthy disregard for what you might call Public Life. I have no desire now to go to receptions, to be seen at gatherings of the great and the good, to stand and be bored to death by men in grey suits.

I was the first Arts Council official in the archipelago to do something for what you might call indigenous music.