When I write my novels I don't really have a huge plan beforehand; I don't have the whole plot and architecture, so the story is sort of discovered as I write it.
Michael Ondaatje... the desert, where there is the communal book of moonlight. We were among the rumour of wells. In the palace of winds.
Michael OndaatjeThere is the hidden presence of others in us, even those we have known briefly. We contain them for the rest of our lives, at every border that we cross.
Michael OndaatjeThere was always, he thought, this pleasure ahead of him, an ace of joy up his sleeve so he could say you can do anything to me, take everything away, put me in prison, but I will know [her] when we are old.
Michael OndaatjeRead him slowly, dear girl, you must read Kipling slowly. Watch carefully where the commas fall so you can discover the natural pauses. He is a writer who used pen and ink. He looked up from the page a lot, I believe, stared through his window and listened to birds, as most writers who are alone do. Some do not know the names of birds, though he did. Your eye is too quick and North American. Think about the speed of his pen. What an appalling, barnacled old first paragraph it is otherwise.
Michael Ondaatje