when someone speaks he looks at a mouth, not eyes and their colors, which, it seems to him, will always alter depending on the light of a room, the minute of the day. Mouths reveal insecurity or smugness or any other point on the spectrum of character. For him they are the most intricate aspect of faces. He's never sure what an eye reveals. but he can read how mouths darken into callousness, suggest tenderness. One can often misjudge an eye from its reaction to a simple beam of sunlight.
Michael OndaatjeJung was absolutely right about one thing. We are occupied by gods. The mistake is to identify with the god occupying you.
Michael OndaatjeA love story is not about those who lost their heart but about those who find that sullen inhabitant who, when it is stumbled upon, means the body can fool no one, can fool nothingโnot the wisdom of sleep or the habit of social graces. It is a consuming of oneself and the past.
Michael OndaatjeThere is the hidden presence of others in us, even those we have known briefly. We contain them for the rest of our lives, at every border that we cross.
Michael OndaatjeIf any of you on your journeys see her-shout to me, whistle...he sang, and it became a habit for audiences to shout and whistle in response to those lines. There was nowhere he could hide in such a song that had all of its doors and windows open, so that he could walk out of it artlessly, the antiphonal responses blending with him as if he were no longer on stage.
Michael Ondaatje