I think precision in writing goes hand in hand with not trying to say everything. You try and say two-thirds, so the reader will involve himself or herself.
Michael OndaatjeI tend not to know what the plot is or the story is or even the theme. Those things come later, for me.
Michael OndaatjeHer father had taught her about hands. About a dog's paws. Whenever her father was alone with a dog in a house he would lean over and smell the skin at the base of its paw. This, he would say, as if coming away from a brandy snifter, is the greatest smell in the world! A bouquet! Great rumours of travel! She would pretend disgust, but the dog's paw was a wonder: the smell of it never suggested dirt. It's a cathedral! her father had said, so-and-so's garden, that field of grasses, a walk through cyclamen--a concentration of hints of all the paths the animal had taken during the day.
Michael Ondaatje