I'm clearly not a writer, but I'm always a fan of them.

Eddie Murphy is just so off-the-cuff and can make anything funny. You hope that someday you'll acquire that skill, but maybe you're born with that.

There is always pressure in any movie set. If you think about it, there is something that you memorize and it is almost like public speaking every day, all day. There is a crew of people, there are monitors and if you mess up, you have to do it until you get it right and then sometimes, you would go blank.

My first ten years in Hollywood were really tough. I'd be coaching friends who came to me for acting advice, and then they'd make it before I did. I'd still be helping them while they were on movie sets and I had four lines on a TV show.

The joy of 'Crash' was that it was all about the work. It was my first real part. Before that, it was a line here and there, maybe a scene. 'Crash' was five scenes, a beautiful arc, a little vignette of my own. It really meant something.

I think that when you’re doing a comedy and it makes you laugh, there’s a certain… like you can reject it, and it’s okay. It’s not promoting it or making it seem cool. I think that’s when you get into hot water.

In the beginning, I was always playing some kind of gangbanger and the token Mexican dude who didn't have a lot of lines but was in the entire movie. At the same time, everyone gets typecast, and I decided that if I was going to play a stereotypical role, I was going to play it like a three-dimensional character.