You know, I'm really busted up over this and I'm very, very sorry to those people in the audience, the blacks, the Hispanics, whites - everyone that was there that took the brunt of that anger and hate and rage and how it came through, and I'm concerned about more hate and more rage and more anger coming through, not just towards me but towards a black/white conflict.

You know, I'm really busted up over this and I'm very, very sorry to those people in the audience, the blacks, the Hispanics, whites - everyone that was there that took the brunt of that anger and hate and rage and how it came through, and I'm concerned about more hate and more rage and more anger coming through, not just towards me but towards a black/white conflict.

When you perform in front of an audience after only two days of rehearsal, you're flying by the seat of your pants - particularly when they're rewriting the show right up to the moment the camera goes on.

I don't know, in view of the situation, and the act going where it was going, I don't know, the rage - the rage did go all over the place. It went to everybody in the room.

I'll get to the force field of this hostility, why it's there, why the rage is in any of us, why the trash takes place, whether or not it's between me and a couple of hecklers in the audience or between this country and another nation, the rage

I'm not a racist, that's what so insane about this. And yet it is said. It comes through, it fires out of me, and even now in the passion that's here as I confront myself.

There's a lot of labor involved in the birth of a new town.