Yeah, my role is gonna be a character by the name of Yondu. And there's gonna be more of Yondu. Yondu is gonna be even more handsome. Perhaps maybe Yondu will add some more bling to his teeth and wear some more jewelry. I don't know. It's gonna be a lot of fun. I've got my fingers crossed that we'll flush out the character even more.

I learned how to turn it on and turn it off. You learn that in theater, too, but for film work, I learned from doing 'Henry,' I learned how to leave work at work and go home. There's always spillover. Actors speak of this.

As the actor, you can't be worried about the scene that you're going to playing two days from now. You think about what's going on, right now and in the moment. That's what you worry about. Everything is right then and there. In the end, all of the pieces come together, thanks to the editing and James Gunn.

You forget about it, after awhile. You forget that you even have it on. It becomes part of you. You get used to it, even the teeth and the contacts, which bothered the hell out of me. It ends up being something that is part of the role, and part of the thing that you're doing. After awhile, it just feels pretty damn awesome.

You know how it is, somebody will see your work and like it and remember it, then decide to make it a role in their film.

When you think of it I haven't really done a lot of horror. It's amazing: I have done some really good ones, but I haven't done a lot of them.

'Cliffhanger' got me in the best shape of my life, working at 10,000 feet up in the mountains. And everybody was great. I lived in Italy for seven months doing that movie. It was a great vacation.