Horror fans need horror, okay? They don't need little worms squirming around going down your throat. To them, that's not horror.

I got my training here in Chicago at the Goodman School Of Drama, and a lot of my personal work is usually internal work and stuff. Everything else that goes on is icing on the cake - your wardrobe, your makeup, whatever else you have to do.

Time is definitely money, so if you screw up a day or a shot, you may not get a chance to go back and get that shot and redo that day.

When you think of it I haven't really done a lot of horror. It's amazing: I have done some really good ones, but I haven't done a lot of them.

There's always room. That's what the directors usually want. They want the performer to bring themselves and give what they have to give for the role. The smart ones allow that to happen because then it becomes even more organic within the performer's imagination. It becomes even more real. It's not always a given in other films, but when Gunn works, and we all work together in a collaborative way like that, it becomes a given that you bring it. It becomes a lot of fun.

You know how it is, somebody will see your work and like it and remember it, then decide to make it a role in their film.

I already survived one apocalypse, I don't need another.