I have been acting for over 20 years and I started in the smallest little theater that you can possibly imagine and then I very slowly built myself to this point. So it is never like there is this real sharp change or something that really startled me. It has just been very gradual.

I don't pick my roles by genre; that's kind of silly.

What I'm angry about, and I've gone on record saying this, is I think that financiers get away with murder. They realize they can get something for nothing and they won't settle for anything else. There's something called a Schedule F. If I work for a Schedule F contract that basically means I'm doing the movie for free because by the time I pay all my commissions and taxes there's barely anything left for me to live on. This whole notion that you do work that you love for very little money and then you go out and do something you hate to make money.

Theater is the best. That's where you get the work done. You just really get in there and figure something out about a story or a character or life or the world. That's where magic stuff happens.

There's nothing routine about 'Boardwalk Empire.' It's like being in some secret society where they call you up and tell you where to go: 'Meet us at the corner of such and so.'

If you don't believe there's some organising principle, or somebody up in the sky pulling the strings, then it can be very stressful. And nature itself is very arbitrary - it's not malevolent or benevolent; it doesn't even know we're here.

Honestly, as hard a profession as acting is, I think music is even harder. Acting, you're like a leech, because someone else does the hard part for you. They write it for you, then the director tells you what to do. You really just need to know how to pay attention, follow instructions.