I have been acting for over 20 years and I started in the smallest little theater that you can possibly imagine and then I very slowly built myself to this point. So it is never like there is this real sharp change or something that really startled me. It has just been very gradual.

What I'm angry about, and I've gone on record saying this, is I think that financiers get away with murder. They realize they can get something for nothing and they won't settle for anything else. There's something called a Schedule F. If I work for a Schedule F contract that basically means I'm doing the movie for free because by the time I pay all my commissions and taxes there's barely anything left for me to live on. This whole notion that you do work that you love for very little money and then you go out and do something you hate to make money.

I want to focus on each scene. I'm a real perfectionist, and I don't want to feel like I didn't consider every possible variation of a scene. I come from a theater background, so I'm used to a lot of repetition, and I'm used to really attacking something over and over and over again.

I just look at it as a real group activity when you are making movies. There are so many different artists doing so many different things, and they are all interconnected. So I like to see what everybody else is going to bring to the table before I make up my mind too much about anything.

Inevitably people will get tired of me. People get tired of everyone except Jimmy Stewart. I'm not saying Jimmy Stewart would get tired of me, I'm just saying people will never get tired of Jimmy Stewart.

The most fascinating part of movies is the organism of the movie - it's such a bizarre thing to do, to make a movie. To see these people come together, band in unity, to create this thing that almost doesn't exist. It only exists because it's projected on a screen, but other than that, it's an illusion.

I don't pick my roles by genre; that's kind of silly.