That could sound arrogant, I guess, but sometimes I feel like I have a bit of a Zelig thing. I'll blend in wherever. I'm from the South, so I'll have a Southern accent when I'm home. But if I'm up here in New York, I have a British accent.

When I'm working, I don't wake up and say, 'OK, time to go be intense.' I just look at whatever scenes we're working on that day and break them down - just real intense everyday work.

I've never worried about anything in my life a fraction of the way I worry about my daughter. It's much more than hoping people like the play you're in, or that your outfit doesn't look bad. It's the real deal.

Let's point out the elephant in the room: Actor bands are not notoriously successful enterprises. I can't think of any.

When you see a struggle that you may be having personally put on a big screen and in a roomful of people, then it makes you feel less crazy or alone, because you're seeing that other people are dealing with it too. You get to see in this imaginary scenario how people might try and answer some questions or deal with some problems.

People don't go to the movies to get the news, people don't go to the movies to learn a lesson. People go to the movie to get an emotional experience.

As an actor, I don't know what I'm doing. I've never known what I was doing. I show up the first day, I'm scared, and I just hang out. It's like being in detention - you just wait for it to be over. Then gradually I start to figure out what's going on.