If you are only getting two takes and you are on a crazy set where there is a lot of noise and distractions and it is hard to focus - that is frustrating. But I don't mind two takes if there is a healthy respect with the work going on with the actors.

A lot of times people will send me stuff. They will find something and they will send it to me and then I will take a look at it. Every once in awhile I will go on IMDB for 10 or 15 minutes and look around. But I am not a huge gearhead. I don't even have my own computer. I use my girlfriends.

I've never worried about anything in my life a fraction of the way I worry about my daughter. It's much more than hoping people like the play you're in, or that your outfit doesn't look bad. It's the real deal.

I just look at it as a real group activity when you are making movies. There are so many different artists doing so many different things, and they are all interconnected. So I like to see what everybody else is going to bring to the table before I make up my mind too much about anything.

If you don't believe there's some organising principle, or somebody up in the sky pulling the strings, then it can be very stressful. And nature itself is very arbitrary - it's not malevolent or benevolent; it doesn't even know we're here.

That could sound arrogant, I guess, but sometimes I feel like I have a bit of a Zelig thing. I'll blend in wherever. I'm from the South, so I'll have a Southern accent when I'm home. But if I'm up here in New York, I have a British accent.

I started acting because I was miserable and crazy and wanted to be someone else, to run around and scream in front of people without getting in trouble.