A parent can seem very kind and gentle, but as any child knows, as soon as that parent gets stressed, they can suddenly turn and get a bit angry.

When I was at drama school, I wanted to change the world, and thought I had some great wisdom to impart to people about humanity. Now that I'm older, I know enough to realise that I know nothing at all.

And so, in terms of setting the right tone and finding a way of presenting all of these things, that creates a cohesive whole and doesn't alienate the audience, is tough. That's a challenge. And I think the tone of a lot of shows is discovered through experimentation and actually making it. Eventually, it starts to cohere.

I try not to pay any attention to clothes fascism and I'd rather be thought of as someone who has his own sense of style.

Nothing can be left until the last minute, so that everyone knows exactly where they are. Everyone is comfortable and everyone feels safe because we want people to be able to keep coming into this show and taking those risks. There are a lot of risks in this show, not just nudity, but emotional risks. We want the best actors to feel comfortable about coming in and exploring this subject matter with us.

Everyone deserves compassion.

I am prone to get carried away thinking about creative projects.