I can be a lazy dresser.

We live in a bubble of the fantasy of death, but the reality of it is something that we obviously all face and have to deal with, at some point.

The first job I ever did in the theatre, I was supposed to be a genius piano player. I couldn't play the piano, but you just sit there at a piano like you're playing, and suddenly all this amazing music comes out and the audience believes you can do it. It's the same with computers. I love scenes where there are people yanking at monitors, "yes I'll put you through now," and you know they're just doing that. But you can look brilliant at all this technology. I love it.

In the case of two actors connecting with each other and trusting each other, our bodies have memories without us having to consciously think about it, so rather than think, "Oh, I must think about my daughter dying," you just let that go and trust that you have all the emotions you need in there, and by losing yourself in the scene, that stuff kicks in without having to spend the day thinking about horrific things happening to your own child.

I don't want to do something that I've done before; I can't see the point of it.

I live a very Kenneth Williams-like existence.

I perceive and relate to the world through where I grew up; that's part of me. It's what I judge everything else against.