A big reason why we were able to and have been able to continue to succeed is that we had a very intense work ethic, right from the beginning. There was a do-or-die attitude toward the work. It wasn't seen as a little "club." It was like, "This is your life." We would spend hours and hours rehearsing and endlessly rewriting. We took it very seriously right off the bat. And we were also extremely critical of each other, which was another thing that was unique. A lot of comedy ensembles have a hard time being critical of each other, because they don't want to hurt each other's feelings.

In real life, comedians aren't funny.

I like doing all different types of comedy - stand-up, sketch, movies, TV. I like to try everything.

Love is such a confusing word. You think I'm joking but I'm not.

The only Train song I like is the one that I play in my act "Drops Of Jupiter". Sheryl Crow has three or four songs that I like; also Dave Matthews Band. With those particular musicians, it's more that there are a few songs that I like rather than their entire body of work. There are a lot of indie bands that I like too. I'm not a snob about music. Does the fact that I like Stephen Sondheim and Broadway musicals make me a fake? Does the fact that I'm "the Billy Joel of comedy" mean that I don't have indie-rock credibility?

I tend to a lot of improvisational ranting, and that's fun. For me, stand-up has been, performance-wise, a really good outlet.

I think narcissists are endlessly watchable. The way they view the world and the way they interact within the world. They have no concept of their behavior or how it might be affecting other people. So comedically, it's a very fun type of character to play. They are bulls in a china shop, twenty-four seven.