I really want to make physical things so that the experience is a real experience and not just conceptual.

It is understandable that people cannot be knowledgeable about all the different mediums. Sometimes it is funny.

If you think too much in the music you are too late.

You have to act and this is something that happened in abstract expressionism too, it was a discovery particularly in De Kooning's paintings, great paintings. There's a lot of speed in his work and the speed produces things that only speed can produce.

We've been able to record the music of cultures that did not have recording, and thus preserve it. But there is also a negative aspect to this and that is the effect of the intrusion of the West on such cultures.

Speed is a way to escape consciousness and just act.

There is really not that much improvisation in my films. There is an acceptance of a chance.