You have to act and this is something that happened in abstract expressionism too, it was a discovery particularly in De Kooning's paintings, great paintings. There's a lot of speed in his work and the speed produces things that only speed can produce.

Socially in my alliances I wanted to just have a strong alliance and making decisions but not putting it out there but letting other people be the target in that way. I think it worked until I should not have been playing that way anymore.

There is really not that much improvisation in my films. There is an acceptance of a chance.

When my name started popping up I was quite irritated and a little bit in shock.

When you narrow down your range and are looking through just that narrow aperture of the lens, the intensity of what you see is so much greater.

To extend the depth of what has been called 'art' into photography requires... making available to the spectator the amazing transformations the subject undergoes to become the photograph.

Speed is a way to escape consciousness and just act.