I came to New York for the first time with Peter Buck at age 19. We spent a week living out of a van on the street in front of a club in the West 60s called Hurrah. It's where Pylon played. I saw Klaus Nomi play there. And Michael Gira's band before he did Swans-they all wore cowboy boots and were so cool and had great hair. I was so jealous.

When I write, I tend toward melancholy, and the few times that I've tried pure joy in music, it doesn't really work that well. The joy can be through catharsis. I think that's what I do well, and observation.

But I think the one thing that I can say about us is that we're very consistent about certain things and part of that is our desire to do the very best work that we can and not rest on our laurels, or not allow formula to come into what we do.

In fact, a lot of critics seemed to consider R.E.M. the first American music since the '60s to break out on its own and develop a stand-alone sound.

The world of WONDERLAND is authentic, vibrant, and genuine. Stacey D’Erasmo explores the delight and terror of second chances. A great read!

Links have become the suburbs of the real world.

So, when you divide the world into music lovers, music fans and then those people who are just very casual about their music, it's wallpaper to them, it's elevator music, it's just the thing that's playing in the background that helps them through their day.