Our generation was supposed to be about trying to deal with nuclear concerns and environmental disasters.

And I don't expect anyone can bring about a revolution in the way that Bob Dylan did - and really didn't - in the 1960s.

You don't need to be talented. You don't even have to play the guitar to be a guitar player in a punk-rock band. So I, in a very naïve and teenage way, said, "That's it. I'm going to be in a band."

When I get really hammered I take my clothes off. That's a sure sign. It's been a long time since the last time I did that. Probably a year.

When I write, I tend toward melancholy, and the few times that I've tried pure joy in music, it doesn't really work that well. The joy can be through catharsis. I think that's what I do well, and observation.

I've never written a song that's hopeless. I'm not a hopeless person. I'm crazily optimistic. I crazily see the good in people. I crazily see the way out of a terrible situation. I crazily try to be the diplomat. If there are two warring factions in my life, I want them to agree to disagree at the very least.

[Columbia House] magazines were how I found out about the punk world going on in New York. Because of what I read, at the age of 15, I hounded the local record store to order a copy of Horses [1975] for me by Patti Smith.